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A duo from Berlin, relatively young and good-looking, wearing caps and looking cool, one controlling the rhythms and bass and the other with a hot electric guitar. The rhythm machine starts and immediately you feel it in the gut. The guitar player is fantastic but subtle, and for the first three of the six tracks they play, Philipp Virus‘s heavily phased guitar lines weave in and out of the waves of belly-bursting bass and staccato drums like metal candyfloss-enmeshed gears as the singer, Khan Of Finland, serenaded us. If you could cross Alan Vega with Matt Monro, you are some way there, a touch of the street poet with an aura of subtlety.The rhythm tracks change song by song, one with insistent hi-hat and bass dirge, while the fourth track, which originally had Kim Gordon as vocalist, introduces a metallic industrial rhythm with the guitar appearing out of the shadows, with beautifully controlled feedback blowing across the landscape. The vibe of this track came across as if they were auditioning for David Lynch and they would not have looked out of place in the Twin Peaks roadhouse. On the final track, the vocals were echoed to a massive degree and with the feedback sweeping overhead, it was as if we were being divebombed by a squadron of screeching eagles. It makes for a dizzying finale and although they only played six tracks, they were a worthy addition to the lineup.